3 Months

By Marissa Dauber

I chose to focus on the Brock Turner case for my found poem. If you don’t know of this case, a college student sexually assaulted an unconscious drunk woman behind a dumpster. This case makes me extremely angry and emotional, because he was only in jail for 3 months. I chose to use a news article where the victim’s statement was used. I whited out a lot of the words, leaving the most shocking and devastating details of that night. The words are scattered randomly, in no particular order, in a way that doesn’t make much sense. This is because the night was confusing to the victim, and I wanted my reader to feel as confused and disoriented as she did. My goal was to shock my reader; it is supposed to be difficult to read, because of how terrible of a night it was. Her words are also, unfortunately, a reality for many sexual assault survivors. I cut out every time the article said Brock Turner’s name and glued it to the very top of the paper. These words are bigger than hers, as symbolism that he overpowered her, both that night and in his ridiculous jail sentence. However, I also wanted his name to be big and bold and at the top of the page, so the reader knows the name of the horrible man who committed the crime they’re about to read about. I think it’s very important we remember his name. I put “3 months” at the very end of the paper, for the reader to read after they just learned every gruesome detail of that night. This is also for shock, and to stress how crazy his sentence was. Lastly, in the middle of the page, I included a quote from the victim. I wanted to include this and make the font large, because this quote resembles her strength and power throughout this whole situation.

This assignment definitely made me think differently about how powerful language can be. I like the act of making a found poem, because it can be very therapeutic. You can re-make something into whatever you want, and make it have the effect on the reader that you want. This got me thinking about how Philip must have felt while writing Zong!. It probably made her feel angry and passionate, but also at peace that she was able to re-tell a story how she wanted to. It also made me realize that words don’t need to be organized in a “traditional” way to be powerful and have an effect on the reader.  

Hurricane Katrina: A natural disaster… or man-made?

By: Marissa Dauber

In the thought provoking and deeply disturbing Citizen: An American Lyric, by Claudia Rankine, we are given countless examples of daily microaggressions that black people face. We are shown situations that may go unnoticed if Rankine hadn’t brilliantly recorded them, and we are made to think differently about how we interact with each other on a daily basis. Rankine reminds us, through real life examples, that our words can hurt and leave lasting effects. However, Rankine also makes mention of some terrible, race-related tragedies that took place, that weren’t so subtle. To name a few, Rankine touches on the murders of Trayvon Martin, James Craig Anderson, and Mark Duggan. She then dedicates an entire page in memoriam to the many black bodies who have died because of their race. She fades the page out while the list is still going to remind the reader that this is a never-ending cycle, and these people frequently end up forgotten about. Perhaps one of the most devastating events Rankine mentions is the tragedy of Hurricane Katrina. Katrina was the most unfair display of blatant racism by police, National guard, and the nation as a whole. Rankine builds her many examples of racism up to this moment: to show that if we ignore racism, continue ignoring microaggressions, and disregard black lives, we will incite a national tragedy. All of our actions and words that may seem small all add up to explode in a nightmare of racially motivated tragedy.

            I remember talking about the tragedy of Hurricane Katrina and it’s disturbing racial ties in a class I took on racism about a year ago. The professor for the class asked us if we considered Katrina to be a natural disaster, or a man-made one. The majority of people, including myself, stated that we thought it was a natural disaster. That was the day I learned the true meaning behind the events that took place during that hurricane. We watched a documentary called Trouble the Water, a film created by Kimberly Rivers Roberts and her husband, Scott Michael Roberts, who experienced life before, during, and after the storm. In the film, Kimberly states “These houses have not been inspected yet. There could be dead people right now, as we speak, because the National Guard, they have not been here, and it’s two weeks after the hurricane” (Democracy Now, 2008). They were stuck in the attic of their home, hiding from the water that destroyed the rest of their house. They started walking around what used to be their neighborhood and going into damaged homes, and they found their neighbor, dead in his house. The majority of people were too poor to afford to leave, so they were forced to stay there and die. Later on in the film, Scott states “This is one of the Navy bases that Bush had planned to close down. Why can’t we stay overnight? What about the women and children? They said, “Get off our property, or we’re going to start shooting” “ (Democracy Now, 2008). This scene was so disturbing, because there were safe and dry places that the people could be staying in, but they were not allowed to. When they begged to go inside, they were threated to leave or be shot, by the very people that were hired to “keep them safe”. I was very glad I had this knowledge of Katrina before reading Rankine’s book. It gave me a different perspective, as I was able to appreciate Rankine’s artistic and poetic touch to the tragedy, while understanding the back story behind her words. I feel that this film and the book couple together so nicely and give such strong background to the pain these people experienced unnecessarily.

            In Rankine’s description of the tragedy, she states “…each house was a mumbling structure, all that water, buildings peeling apart, the yellow foam, the contaminated drawl of mildew, mold…the bodies lodged in piles of rubble, dangling from rafters, lying facedown, arms outstretched on parlor floors. And someone said, where were the buses? And simultaneously someone else said, FEMA said it wasn’t safe to be there” (Rankine, 84). This imagery says all too well what Katrina was like for black people. The very people that are hired and paid to protect them wouldn’t come to their rescue because “it wasn’t safe”, but they left all the people there to die, knowing it wasn’t safe. Rankine keeps repeating “Have you seen their faces?” (Rankine 83, 85-86) which emphasizes the point she previously made with the list of names fading off the page: these people will be forgotten about. They already are.

            Rankine’s telling of the tragedy of Hurricane Katrina, coupled with the documentary Trouble the Water, really gave me a new perspective to this disaster, and taught me a lesson I will never forget: Hurricane Katrina was a man-made disaster. Humankind must change. Our daily acts of racism in the form of microaggressions add up until they explode, just as what happened in the man-made disaster of Hurricane Katrina. How many black bodies must fall until we change our ways?

Discussion Questions

  1. How did reading Citizen: An American Lyric give you a new perspective on Hurricane Katrina?
  2. What example of racism affected you/stood out to you most from this book?

Works Cited

Rankine, Claudia, 1963- author. Citizen: An American Lyric. Minneapolis, Minnesota: Graywolf Press, 2014.

 “‘Trouble the Water’–New Film Provides Firsthand Account of Hurricane Katrina and Its Aftermath.” Democracy Now!, 22 Aug. 2008, https://www.democracynow.org/2008/8/22/trouble_the_water_new_film_provides.

Hi, my name is Marissa!

Hi everybody, my name is Marissa and I’m a community health major. I would like to go into nursing in the future. I am a Binghamton, New York. I love to spend time with my friends and get involved on campus!